Use "satyr" in a sentence
satyr example sentences
satyr
1. not care much about his private life, he is neither a eunuch nor a satyr
2. The satyr was speaking but I didn't pay attention
3. 14 The wild beasts of the desert shall also meet with the wild beasts of the island, and the satyr shall cry to his fellow; the
4. Over in the frozen meadow, a satyr skidded on his hooves as he chased after a redheaded tree nymph
5. "I think not, satyr
6. He's a satyr
7. Grover went off with his satyr friends to spread the word about our strange encounter with the magic of Pan
8. "Calm down, my young satyr," Chiron said, frowning
9. Grover was a satyr
10. The poor kid-poor goat, satyr, whatever-looked as if he expected to be hit
11. D was a stranger to alcohol, I was a satyr
12. We walked through the strawberry fields, where campers were picking bushels of berries while a satyr played a tune on a reed pipe
13. I watched the satyr playing his pipe
14. A satyr was assigned to be her keeper when she was twelve, but there was nothing he could do
15. They were about to be overrun when Thalia told her satyr to take the other two half-bloods to safety while she held off the monsters
16. The satyr didn’t want to leave her, but he couldn’t change her mind, and he had to protect the others
17. I wasn’t sure what good a satyr could do against the forces of the dead, but I felt better knowing he’d be with me
18. The front lot was a forest of statues: cement animals, cement children, even a cement satyr playing the pipes, which gave Grover the creeps
19. This is a terrible time to be a satyr
20. “You were the satyr who tried to rescue Thalia, the daughter of Zeus
21. As Apollo’s cabin led the sing-along and passed out s’mores, I was surrounded by my old Hermes cabinmates, Annabeth’s friends from Athena, and Grover’s satyr buddies, who were admiring the brand-new searcher’s license he’d received from the Council of Cloven Elders
22. No way to smuggle them in unless you talked to a satyr, maybe
23. But you gave them to the satyr, which wasn’t part of the plan
24. Yes, I know, I‘m a fuckwit, but I stupidly thought that‘s what he wanted — he certainly didn‘t object; dropped his tweeds and pranced around like a priapic young satyr
25. A leap and a laugh fit for a satyr and he was dancing with Bart, who willingly kneeled, unzipped the trousers with his teeth and slid them off
26. He sits upon a block, a shaggy old satyr,
27. “And you have made of me a real satyr
28. The wild beasts of the desert shall also meet with the wild beasts of the island and the satyr shall cry to his fellows
29. No longer some satyr, sating himself on the mountain, but a man who was once a boy, who loved his mother, lost her painting, found a new friend and lost him as well
30. Kutuzov no one spoke of, except some who abused him in whispers, calling him a court weathercock and an old satyr
31. They passed the gates, visited the manikin anchorite in his grotto, tried the mysterious little effects of the famous cabinet of mirrors, the wanton trap worthy of a satyr become a millionaire or of Turcaret metamorphosed into a Priapus
32. Kutúzov no one spoke of, except some who abused him in whispers, calling him a court weathercock and an old satyr
33. Red and white butterflies fluttered around; down into the marble cistern ran splashing water from the crooked mouth of a blissfully drunken Satyr; but he sat motionless, like a pale shadow of that other one who, in a far land, at the very gates of the stony desert, also sat motionless under the fiery sun
34. After these five fighters, we observe on the left a powerful bearded satyr (face much injured), with flowing panther-skin, facing the right, and wrenching away a branch from a tree (VII)
35. The corresponding figure on the right side (VII¹) is a nude, bearded satyr, who is breaking down a branch of a tree
36. At first the correspondence does not seem to be maintained, for this satyr faces the right, whereas after the analogy of figures VII and IV we might expect him to face the left
37. At the left we observe first a bearded satyr with torch and flowing panther-skin (IX a), pursuing a pirate, who flees to the left (IX b)
38. The space between the satyr and his victim is in part occupied by a hole, which was probably cut for a beam at the time when the monument was built into the convent
39. In the corresponding places on the right side, we have a bearded satyr with panther-skin (IX¹ a), about to strike with the forked club which he holds in his uplifted right hand, a seated and bound pirate (IX¹ b), whose hair the satyr has clutched with his left hand
40. The next group on the left is represented as at the very edge of the water, and consists of a nude bearded satyr (X b), who is dragging an overthrown pirate (X a) by the foot, with the evident intention of hurling him into the sea
41. On the right side, a bearded satyr, with flowing panther-skin (x¹ a) rushes to the right, thrusting a torch into the face of a pirate who is seated on a rock (x¹ b), with his hands bound behind his back
42. The figures of this group, which were in tolerable preservation at the time when Lord Elgin's cast was made, have since been nearly effaced, particularly the face, legs and torch of the satyr, and the face and legs of the pirate, also the rocks upon which he is seated, and the serpent
43. On the contrary, if we examine the indications of scenery in this relief, we see that those features by which the artist has characterized the place of this part of the action as the seashore, the trees near the water's edge, the alternating stretches of land and sea, the dolphins, the satyr pulling the pirate into the water (x), are confined to the space beyond the trees