Usa "sonata" in una frase
sonata frasi di esempio
sonata
1. In the film Immortal Beloved, there is a scene where Beethoven reflects on his Sonata No
2. She easily recognized the famous piece, Beethoven’s Moonlight Sonata
3. Then the husky Motor Pool officer stunned the gathering by coaxing a beautiful rendition of the Moonlight Sonata from an old upright piano that looked as if its coat of white paint had been applied with a broom
4. He then delivered up another beautifully rendered Moonlight Sonata
5. When he struck the opening chords of Moonlight Sonata for the third time in response to Colonel Friedlander's request for Roll Out the Barrel, it became obvious the one-song pianist was shitfaced
6. to find the Cardinal listening to a Mozart sonata; a very loud Mozart sonata
7. Beethoven’s Moonlight Sonata played quietly in the lounge
8. When she had finished the complete sonata without having made a single error, she looked up at him and smiled
9. PLAY…Beethoven's Moonlight Sonata blasted into my ears with the exquisite pleasure
10. I had looped the Sonata several times to give me a
11. No wonder that Italian remained a hidden art, and the piano always played the same sonata
12. Clara Durrant procured the stockings, played the sonata, filled the vases, fetched the pudding, left the cards, and when the great invention of paper flowers to swim in finger-bowls was discovered, was one of those who most marvelled at their brief lives
13. First a piano sonata, and then with the rain steadily falling, we’d listen to Beethoven’s Pastoral Symphony, following the great composer on an epic walk into the countryside listening to the songs of the birds in the Vienna Woods
14. But there’s some Moonlight Sonata tea on the counter there if you’re up to it
15. In the programme, it had said that the sonata was new for the occasion
16. Her favorite sonata bore her into a most intimately poetic world and the look she felt upon her made that world still more poetic
17. And he compromised with the Moonlight Sonata
18. I opened the sonata Quasi una fantasia, and began to play
19. They came up behind me when I had finished the sonata, and a hand was laid upon my shoulder
20. “A happy thought, to play the old sonata!” he said
21. I aided them, I made proposals, and they finally executed a few pieces,—songs without words, and a little sonata by Mozart
22. He explained to me that he had brought some scores, in order to prepare for the Sunday concert, and that they were not in accord as to the piece to choose,—whether difficult, classic things, notably a sonata by Beethoven, or lighter pieces
23. They played Beethoven’s ‘Kreutzer Sonata
24. “A terrible thing is that sonata, especially the presto! And a terrible thing is music in general
25. I have received, and still continue to receive, numbers of letters from persons who are perfect strangers to me, asking me to state in plain and simple language my own views on the subject handled in the story entitled “The Kreutzer Sonata
26. To very many persons the thoughts I have uttered here and in “The Kreutzer Sonata” will seem strange, vague, even contradictory
27. They certainly do contradict, not each other, but the whole tenor of our lives, and involuntarily a doubt arises, “on which side is truth,—on the side of the thoughts which seem true and well-founded, or on the side of the lives of others and myself?” I, too, was weighed down by that same doubt when writing “The Kreutzer Sonata
28. End of the Project Gutenberg EBook of The Kreutzer Sonata and Other Stories, by
29. But is not this sonata lovely?
30. The musical score of Wagner's later operas is like what the result would be should one of those versifiers—of whom there are now many, with tongues so broken that they can write verses on any theme to any rhymes in any rhythm, which sound as if they had a meaning—conceive the idea of illustrating by his verses some symphony or sonata of Beethoven, or some ballade of Chopin, in the following manner
31. That same evening, a visitor, an admirable musician, famed for his execution of classical music, and particularly of Beethoven, played us Beethoven's sonata, Opus 101
32. For the benefit of those who might otherwise attribute my judgment of that sonata of Beethoven to non-comprehension of it, I should mention that, whatever other people understand of that sonata and of other productions of Beethoven's later period, I, being very susceptible to music, equally understood
33. And when I ventured to compare the impression made on me by the singing of the peasant women—an impression which had been shared by all who heard it—with the effect of this sonata, the admirers of Beethoven only smiled contemptuously, not considering it necessary to reply to such strange remarks
34. But, for all that, the song of the peasant women was real art, transmitting a definite and strong feeling; while the 101st sonata of Beethoven was only an unsuccessful attempt at art, containing no definite feeling, and therefore not infectious
35. True, we also possessed an unfortunate volume which contained Beethoven’s “Sonate Pathetique” and the C minor Sonata (a volume lamed for life by the ladies—more especially by Lubotshka, who used to discourse music from it in memory of Mamma), as well as certain other good pieces which her teacher in Moscow had given her; but among that collection there were likewise compositions of the teacher’s own, in the shape of clumsy marches and galops—and these too Lubotshka used to play! Katenka and I cared nothing for serious works, but preferred, above all things, “Le Fou” and “The Nightingale”—the latter of which Katenka would play until her fingers almost became invisible, and which I too was beginning to execute with much vigour and some continuity