Use "stanza" em uma frase

1. She played a stanza of Sweet Betsy from Pike and they all had a hoot

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2. Conscientious that it was the mothers who prepared it and served it weeks later on the table, he sometimes surprised himself humming, to the sound and rhythm of “Guantanamera”, the refrain and the first stanza of

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3. annoying my family with verse and stanza

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4. “Once upon a midnight dreary…” I finished the rest of the first stanza and when I opened my eyes, all were staring at me

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5. the last stanza of their song

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6. He had the choir start singing, grimaced, and stopped them before finishing one stanza

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7. A study of each stanza reveals the meanings behind the letters

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8. There are two rhymes ineach stanza, and not more than two lines having the samerhyme may stand together

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9. ‘You haven’t completed the stanza, I suppose,’ said Raja Rao

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10. These words are the opening stanza of a

11. ‘ I couldn‘t hit the right notes then but she patiently taught me the proper tune and rhythm of every stanza

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12. From chorus to stanza they sing their joyous anthem, handing out invitations to the first weekly

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13. same strophe ( copla or stanza) and held to be of equal length

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14. Spanish verse usually has: (1) rhyme, or consonance (the vowels and consonants of the rhymingsyllables are identical), as in stanza 1,

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15. The intent of his song is epitomized by the stanza expressing the following: "Oh the winds of war are blowing and there's no way of knowing where this bloody path we're traveling will lead

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16. first three lines of a stanza are of seven syllables and thelast of eleven, the verse is called

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17. (4) The seguidilla is usually a stanza of seven lines ofseven and five syllables in length, in this

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18. stanza, and not morethan two lines having the same rime should stand together(pp

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19. It is said that "Plácido"recited aloud the last stanza on his way to the place of execution,and that he

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20. The first line of the first stanza goes;

21. My smile, it's the last stanza of this song

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22. “The Visible that was, and the Invisible that is, rested in Eternal Non-Being - the One Being” (Stanza 1

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23. “Prabhavapyaya”, "the place whence is the origination, and into which is the resolution of all things” ("The Secret Doctrine", 1, comment for the Stanza 1

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24. “Oeaohoo is the "Rootless Root of All"; hence, one with Parabrahman” ("The Secret Doctrine", 1, comment for the Stanza 3

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25. “The depths of the Great Dark Waters” (Stanza 3

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26. In the Stanzas of the Book Dzyan is said: “The Ray shoots through the Virgin Egg, the Ray causes the Eternal Egg to thrill, and drop the non-eternal Germ, which condenses into the World-Egg” (Stanza 3

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27. “Universal Mind was not, for there were no Ah-hi to contain it” (Stanza 1

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28. “Her Heart had not yet opened for the One Ray to enter” (Stanza 2

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29. “The Universe was still concealed in the Divine Thought and the Divine Bosom” (Stanza 2

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30. “Light is Cold Flame, and Flame is Fire, and Fire produces Heat, which yields Water - The Water of Life in the Great Mother” (Stanza 3

31. “The Army of the Voice, the Divine Mother of the Seven” (Stanza 4

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32. “The Adi-Sanat, the Number, for he is One” (Stanza 4

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33. "When the One becomes Two" (Stanza 7

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34. "The Spark hangs from the Flame by the finest thread of Fohat" (Stanza 7

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35. “Spirit is the first differentiation from THAT, the causeless cause of both Spirit and Matter” ("The Secret Doctrine", 1, Commentary on Stanza 1

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36. “The "fire," "heat," and "motion" here spoken of, are, of course, not the fire, heat, and motion of physical science” (" The Secret Doctrine ", 1 Comment Stanza 3

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37. )” (" The Secret Doctrine ", 1, Commentary on Stanza 3

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38. "” ("The Secret Doctrine", 1 Comment Stanza 3

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39. "” ("The Secret Doctrine", 1, Commentary on Stanza 3

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40. ” (" The Secret Doctrine ", 1, Commentary on Stanza 3

41. “Fire is Æther in its purest form, and hence is not regarded as matter, but it is the unity of Æther — the second manifested deity — in its universality” ("The Secret Doctrine", 1 Comment Stanza 4

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42. ” (" The Secret Doctrine ", 1, Commentary on Stanza 4

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43. ” (" The Secret Doctrine ", 1, Commentary on Stanza 5

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44. " ("The Secret Doctrine", 1 Comment Stanza 6

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45. for Father, Mother, and Son were once more one, and the Son had not yet awakened for the new Wheel and his Pilgrimage thereon” (Stanza 1

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46. They are called Spheres, triangles, cubes, lines, and molders, for so keeps Eternal Nidan - Oi-Ha-Hou” (Stanza 4

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47. "Square without Shapes" (Stanza 4

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48. 31) “When the One becomes Two, the Threefold appears, and the Three are One; and it is our Thread, O Lanoo, the Heart of the Man-Plant called Saptaparna” (Stanza 7

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49. As you can see, the Stanza Dzyan also confirms our words that the wheel – is the rotating Ether (or Spirit)

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50. And now a few words about the Destroyers and Creators mentioned in Stanza 6

51. Also, in the comments to the Stanza 7 EP Blavatsky speaks of the Creators and the Devourers, and the Builders and Destroyers

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52. There is an assumption that the expression "Twice Seven" which we can meet in the Stanza Dzyan, it is not nothing but a double Seven – i

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53. Here is the exact text of the quote: "Then the Three, the One, the Four, the One, the Five - the Twice Seven, the Sum Total" (Stanza 3

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54. "The Swift and the Radiant One produces the seven Laya Centres, against which none will prevail to the Great Day "Be With Us"" (Stanza 6

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55. This is the First War” (Stanza 6

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56. And in confirmation of the truth of what I say, let me repeat to thee a stanza made by the famous poet Luigi Tansillo at the end of the first part of his 'Tears of Saint Peter,' which says thus:

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57. Having concluded the stanza he discharged an arrow at the top of the castle, and went back to his place

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58. He rocked it faster while his eyes began to read the second stanza:

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59. It was pretty hard to gather all the words on one hearing and to print them in my memory, apart from one about having “the same eyes as your mother does” and something about drugged wine, and that the stanza always arrived at what I took to be the refrain: “I’ll pay in blood but not my own

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60. One stanza alluded to that great song from 1936, “Pennies from Heaven,” and the oozing largesse of tycoons and robber barons:

61. But sometime during the first stanza, a shushing sound replaced the noises of the crowd, as though people were saying Shhh, I want to hear

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62. [Note 16: Apropos of this somewhat ungallant sentiment, a Russian scholiast remarks:—"The whole of this ironical stanza is but a refined eulogy of the excellent qualities of our countrywomen

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63. " The poet in all probability wrote the offending stanza in a fit of Byronic "spleen," as he would most likely himself have called it

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64. [Note 27: The foregoing stanza requires explanation

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65. Stanza II properly concludes with this line, the remainder having been expunged either by the author himself or the censors

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