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1. It was the sculptor

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2. ‘Will you always be a sculptor, then?’ asked Jean

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3. of another sculptor and – especially – their

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4. Though what sculptor

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5. Tell that its sculptor well those passions

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6. The older was an artist, painter and sculptor, and the younger one, with whom she fell in love, could hardly speak a word of Polish

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7. The story goes that a pope was admiring Michelangelo’s David, and asked the sculptor how he could create such a masterpiece

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8. The buildings that featured a number of sculpted decorations, in an Art Deco style, had been designed by the notable British sculptor: Sir William Reid Dick were designed to be symbolic figures including heraldic devices and large bronze doors that were supposed to represent the journey from earth to heaven

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9. They were all the same, as if they were stamped by some machine, huge hulking impressions of men, as if a sculptor had ended after hewing out the rough form

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10. Sports Authority had one, so, $119 later, I was in my living room, foot pumping away to inflate my abdominal sculptor

11. From that point until completion, it is the sculptor who makes

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12. Sculptor - The Sculptor's Tools

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13. To Dave, it almost looked like endless formations of chess pieces that disappeared into the colour-faded horizon in all directions – chess pieces carved by a mad sculptor

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14. Lard and flour toppled about the counter as Angela worked her hands in the dough as a sculptor would clay

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15. The sculptor sees the statue,

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16. " An Athenian sculptor might have designed a matchless tomb, but he could not have wiped a single tear from a mourner's eye

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17. for any sculptor to recreate the perfection of Sue’s form

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18. considering the difficulty any sculptor would have in finding a specimen as

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19. to the sculptor who carved it

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20. If a sculptor started out with a piece of marble and a chisel and changed his ideal every fifteen minutes, what result could he expect? And why should you expect any different result in moulding the greatest and most plastic of all substances — the only real substance?

21. Having had a sculptor for a father, a knighted sculptor of the Victorian age, the old lady in her youth had heard great talk of moulding and of bones, and was able to recognize that the bones and moulding she now saw were undoubtedly what her father and his friends would have thought highly of

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22. The previous exterminator had managed it twice with a sculptor and a slab of pork

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23. He never ceased to marvel at how ductile iron became when heated red hot and he worked the metal with tongs and hammer as easily as a sculptor manipulates clay

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24. Whereas his face was all masculine angles, theirs—while no less perfect—were softer and rounder as if the sculptor had lovingly polished instead of chipped

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25. He was like some exquisite sculptor working his magic with living flesh instead of clay, and in a short time Keith Webster's reputation spread

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26. Clearly, the sculptor wanted to signify that while the most ferocious warrior in history had renounced violence, his weapons lay close at

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27. The sculptor had

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28. I answered, "You remember the story of the sculptor who asked for a certain piece of marble

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29. This refers, of course, to the colossal bronze Statue ofLiberty by the French sculptor,

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30. another sculptor was exhibited at the Paris Salon; the other sculptor –named

31. sculptor and was honored at receptions and other events throughout Europe

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32. And in 1912, a new humiliation awaited the great sculptor

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33. Late in 1917, the greatest sculptor of modern times died at the age of 77,

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34. So I set to work as a pastime with no deadlines and as lovingly and hopefully as a sculptor works at his block of marble or a writer at his novel

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35. The cause of the statue is the work of the sculptor

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36. If we took away the activity of the sculptor, we should not have the effect, the statue

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37. But there is an order of causes; the parents of the sculptor are his cause

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38. Workers in the quarry are the cause of this particular piece of marble’s availability to the sculptor

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39. Such a series of causes is demanded because no event can be its own cause; the sculptor does not cause himself, and the statue does not cause itself

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40. The range of subtle colours and varieties of texture in materials is amazing, and the subtlety of invention displayed in some of the designs for costumes leads one to wonder whether there is not something in the remark attributed to an eminent sculptor that "designing ladies' fashions is one of the few arts that is thoroughly vital to-day

41. His head might have been the work of a sculptor, who had squared the forehead, stretched the mouth, and left marks of his thumbs and streaks from his fingers in the clay

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42. Which sculptor never chisel'd yet, nor painter painted,

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43. You are a sculptor, Socrates, and have made statues of our governors faultless in beauty

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44. The clay has chosen the sculptor

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45. Then, with his knife, he began to carve all sorts of objects in wood; it was thus that Pinelli, the famous sculptor, had commenced

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46. This, however, was nothing to a sculptor like Vampa; he examined the broken stock, calculated what change it would require to adapt the gun to his shoulder, and made a fresh stock, so beautifully carved that it would have fetched fifteen or twenty piastres, had he chosen to sell it

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47. And, indeed, it required but one glance at Mademoiselle Danglars to comprehend the justness of Morcerf's remark—she was beautiful, but her beauty was of too marked and decided a character to please a fastidious taste; her hair was raven black, but its natural waves seemed somewhat rebellious; her eyes, of the same color as her hair, were surmounted by well-arched brows, whose great defect, however, consisted in an almost habitual frown, while her whole physiognomy wore that expression of firmness and decision so little in accordance with the gentler attributes of her sex—her nose was precisely what a sculptor would have chosen for a chiselled Juno

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48. Dennany, monumental builder and sculptor

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49. He was strikingly handsome, with regular features that might have been carved by a cathedral sculptor

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50. Some little time ago he purchased from Morse Hudson two duplicate plaster casts of the famous head of Napoleon by the French sculptor, Devine

51. He had once been a skilful sculptor and had earned an honest living, but he had taken to evil courses and had twice already been in gaol—once for a petty theft and once, as we had already heard, for stabbing a fellow-countryman

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52. They were a gift from the sculptor Isamu Noguchi so that she could have something beautiful to view after she lost her leg

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53. But what was still stranger, though of this Prince Andrew said nothing to his sister, was that in the expression the sculptor had happened to give the angel’s face, Prince Andrew read the same mild reproach he had read on the face of his dead wife: ‘Ah, why have you done this to me?’

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54. They resembled nothing more than those preliminary erections of a sculptor, the wire frame, the first tendons of clay, the muscles, and a thin lacquer of skin

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55. This statue was from the hand of the Greek sculptor Strongylion, who also carved that figure of an Amazon known as the Beautiful Leg, Eucnemos, which Nero carried with him in his travels

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56. Like clay which the sculptor has carelessly impregnated with water, it was impossible to shape again

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57. A brilliant sculptor

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58. He had once been a skilful sculptor and had earned an honest living, but he had taken to evil courses and had twice already been in jail—once for a petty theft, and once, as we had already heard, for stabbing a fellow-countryman

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59. When, after Stasov’s death, his friend, the sculptor, I

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60. But what was still stranger, though of this Prince Andrew said nothing to his sister, was that in the expression the sculptor had happened to give the angel’s face, Prince Andrew read the same mild reproach he had read on the face of his dead wife: “Ah, why have you done this to me?”

61. At that time there lived in Rome a celebrated sculptor by the name of Aurelius

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62. And again the sculptor spoke, but it seemed as though the sinking sun had penetrated into his words

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63. "I do not know," answered the sculptor

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64. And now he was sitting, in evening dress, in the chamber of a poor plaster sculptor, in the chamber of my father behind a bolted door!

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65. But over the orchids and the electric bulbs, with the glint of glass and silver between, Katherine could feel Dick’s eyes upon her, and her flesh warmed beneath that gaze as Galatea’s when her sculptor breathed life into her with the passion of his glance

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66. The German professor does not profess to be a sculptor

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67. Let us say then, that that sculptor now alive who knows the most, theoretically and historically about Greek art, is as far as his most ignorant contemporary and rival from having Greek methods of work

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68. ntering the handsome galleries of the American Art Association, one finds the lower floor given up to the Barye bronzes, while the upper rooms are devoted to the “Angelus” and the paintings by Millet and other contemporaries of the great French sculptor

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69. This little gem, worthy of the antique, did not secure the prize, however, which went to a now-forgotten sculptor named Vatinelle

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70. ” What a series of banquets on blood and warm, almost living flesh is here presented! How cruel these creatures are to each other, is the thought that first comes to us, but a second, reminds that it is but their instinct and a necessity of natural law, and repulsion is lost in astonishment and delight at the marvellous fidelity with which the sculptor has rendered these links in the great chain of animal life

71. As to the assertion by “Anglo-American” that Alfred Stevens was “an artist not inferior to Barye” it will be shared by few who have studied the works of the great French sculptor of animals and men

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72. The artifice was well concealed by the sculptor

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73. It is very noticeable that on the vase the contortions of the Triton's body seem much more violent; here the sculptor could not well follow the vase-painter so closely

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74. Evidently the vase must have represented a type known to the sculptor and copied by him

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75. By this subtle device, for which the relation between the figures III¹ and IV¹ furnishes an evident motive, the sculptor has contrived to indicate distinctly the limits of these scenes, while the symmetry existing between them is heightened and emphasized by the avoidance of rigid uniformity

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76. Perhaps, as Stuart has suggested, 106 he may be a metamorphosis of the cord with which the pirate's hands are bound; but the sculptor has not made this clear

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77. 110 The whole composition exhibits freedom and elasticity, not so indulged in as to produce discord, but peculiarly appropriate to the element of mirth and comedy which characterizes the story, and upon which the sculptor has laid especial stress

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