Verwenden Sie „three-dimensional“ in einem Satz
three-dimensional Beispielsätze
three-dimensional
1. “The three-dimensional seal ensured the witch's pact with two rival demons, one of the void and one of the fire”, explained Arion, as we were crossing the stone bridge, having just abandoned the tower
2. If only they could develop a measuring tool fine enough to bring into our three-dimensional world some indication of this Presence, they might be able to extrapolate a source that they could attune their understanding toward
3. display that showed a three-dimensional map of the control
4. The difficulty in acceptance is that humans live in a three-dimensional world and the
5. In the air above a similar collection of long, flowing ribbons danced to the music as if they had life of their own, most of them concentrated over the podium, forming three-dimensional drawings of flowers and butterflies, fawns and unicorns, and other pretty things, each picture dissolving after a moment to soon form another
6. He and the others of the command group were staged to the Hilian left, while above and below and to either side, and as far back as the eye could see, were staged the billion and a half plus of the strike force in three-dimensional ranks of well-spaced softly glowing cubes of various sizes
7. What we have seen thus far is a progression from explicate order to simple three-dimensional implicate order, then to a multi-dimensional implicated order, then to an extension of this to the immense ‘sea’ in what is sensed as empty space
8. Some have described it as viewing a three-dimensional hologram of your life in full color, sound, and scent
9. be three-dimensional and extended in time Hence, the observer and the
10. The idea that a three-dimensional form can be translated into
11. A three-dimensional image of the world is then created with the tree placed out there in that world
12. “Unsure, it is far more than a three-dimensional image projection, and it has completely fooled my sensors
13. Xin and Dave were on the bridge when a three-dimensional image was projected in front of them via the Odyssey’s communications system
14. The other game was Score Four, three-dimensional Tic-Tac-Toe – almost
15. a three-dimensional plane but not endless in size
16. Battlezone (1980) used wireframe vector graphics to create the first true three-dimensional game world
17. as we wish to work within the realm of three-dimensional reality that
18. His fur was a dark golden color, but wherever the shadows played across it, hues of reddish brown in the subdued light created an eerie three-dimensional projection of disproportionate features
19. They were all three-dimensional puzzles, 31
20. The simple map tables and pencils of the Twentieth Century gave way to computer animation, real-time satellite imagery and Hardin’s favorite, an antique three-dimensional holographic map table used since the mid 21st Century
21. Cause and effect, in a three-dimensional world, works toward an
22. with the laws, or foundation, of this three-dimensional habitat we
23. had to be aware of man’s addiction to this three-dimensional
24. It is still a great challenge for pre-Twentieth Century technology to have placed a clear three-dimensional image of a human body unto a cloth either by artistry or any other means available
25. In the center of their circle was a holographic three-dimensional map, which they examined to gain
26. A year later, as Medical Multimedia expanded its product line, the need for an in-house high-end three-dimensional (3-D) artist became apparent to Ron, the manager of the multimedia department
27. It was a strange, exciting feeling, and as he forced himself not to look down at his body but rather to look across the lake, the water seemed to be a deeper blue, the glittering of the sun on the little waves seemed more sparkling and more alive and the clouds floating in the sky more three-dimensional and real than he had ever seen them before
28. As soon as the ray of another laser falls on this place, a three-dimensional and “immaterial” image of this object appears in the air
29. While the term “holographic” implies only a possibility to reproduce three-dimensional projections of certain objects in a local space, I use the term “holographous”, with the meaning of different-quality dynamics of the whole infinite set of energy-information interrelations between absolutely all multidimensional Forms of Collective Intelligences that simultaneously in one single moment, “visibly” and “invisibly”, “perceptibly” and “imperceptibly”, potentially and specifically, manifest their subjective creativity in a given “rezonation point” of a skrruullerrt system
30. Of course, this example is very simplified and notional, but, perhaps, it will help you to understand better this very difficult (for the three-dimensional system of Perception) energy-information process
31. So, through the “energy” (electromechanical, biochemical) activity of the Formo-Creators of the brain, on the one hand, FCA of each of us is constantly focused on “external” attributes of our subjective Existence (that is, on the things that are continuously projected and specifically reflected on the three-dimensional “bioscreen” of our Self-Consciousness, which represents that which we mean by the term “dynamics of Formo-systems of Worlds”); and, on the other hand, through FDR of all conglomerates of Formo-copies of our individual ODS, we constantly focus on the informational “part” of our Existence provided by the continuous Creative Activity of SFUURMM-Forms of an innumerable set of different-qualitative Formo-copies
32. However, since they are formed by cruder vibrations of Energy-Plasma, all information structures of their fragmented Self-Consciousness are affected by the same distorting effect as the one that influences any three-dimensional holographic image
33. What is this influence? Let me remind you that three-dimensional holography is the method of recording, reproducing and transformation of wave “Fields”, which is based on wave interference
34. The notion of wave in the three-dimensional macroscopic world means a dynamic process in the medium that transfers “bunches” of internal energy from some areas of Space to other ones
35. Believe that, in their subjective realities, they look not less “three-dimensional” and massive in outward appearance than we! You should bear in mind that all possible Proto-Forms of GOOLGAMAA-A structure all diapasons of dimensions of Energy-Plasma
36. This mechanism of deciphering and reproduction (in the information “space” of ODS and in Space-Time of Formo-systems) of the same UU-VVU-Information, which is simultaneously used on the same frequency Levels of the realizational creativity by “us”, by all other “three-dimensional” Proto-Forms, and also by “two-dimensional” Forms, radically changes the essence which is initially included in it
37. This problem (I hope it’s a temporary one) is aggravated by the fact that we, in our three-dimensional system of Perception, subjectively identify specific properties of the representatives of both these branches of Forms with flaks (Nonmaterial) features of existence that are not characteristic of the biological analogs of NUU-VVU-Formo-Types currently focused by Us, with that which we cannot do: they are able to move freely in their typical information “space”, although in a narrower range than in our Space-Time; they are less attached to their external Forms of self-expression typical of their ranges and easily transform from one Form into another Form, to say nothing of all possible qualitative metamorphoses inside their Forms, and other abilities
38. Since the NUU-VVU-Forms focused by Us are three-four-dimensional, both four-five-dimensional FLUU-VVU-doubles and two-three-dimensional KU-U-VVU-copies can manifest in activated structures of our Self-Consciousness
39. Since our Thoughts and Feelings (especially highly-spiritual and highly-intellectual ones), with their typical degree of “materiality” (which differ very much from the “materiality of our type”), can be specifically manifested only in their typical information “space” of OLLAKT-DRUOTMM-systems or FLUU-LUU-complexes, then, of course, “local” three-dimensional instruments simply cannot read their dynamics on the level of elementary particles
40. the Universe is in a three-dimensional state of space (three dimensions) in time
41. therefore be measured in a relative manner as are positions in three-dimensional Euclidean space, and
42. If the line then had to grow in all directions at the same pace the line must therefore be a circle or being three-dimensional, a sphere
43. It was only with the addition of a Third Element, an in-between Condition; that the 3-dimensional Universe came finally came into being; and gained its Trialistic, or three-dimensional nature of Depth
44. In the transition from two-dimensional flatness into a three-dimensional expansion of our Universe: the only curves scientists can perceive are the transitional curves between the two basic conditions of infinite Length, Width…, and the 3rd Condition: Depth
45. Our Universe emerged from only one side of a two-dimensional Condition of Infinite duality into a three-dimensional Condition of Infinite triality: it cannot have more than a 180 degree curve
46. If the three-dimensional Condition of Infinite Energy of our Universe had emerged as a Singularity from a state of Actual Infinity that was not already 2-dimensional in nature then the three-dimensional space of the Universe would possess no curvature at all
47. The three-dimensional Condition of Depth emerged third
48. It became the three-dimensional Condition of Time
49. Energy was created before Space because Energy is a three-dimensional form of Connectiveness, or Totality
50. Space was created after Energy because Space is a three-dimensional form of Separation, or Duality